If to assert, that the art is a dialogue with the God, hence, life − monologue with Him. The conversation, which artist conducts with socium, sometimes becomes too frank. Therefore society is interested in existence Taboo. During all life we appear at him. It absorbs in itself all,− even the life, therefore is not emptiness. And again all occurs from "anything", as there is a closed spiral: life and spirit are incorporated, − a beginning from anything - way in anywhere. By a strange image the self-consciousness of the man in this world is marked Great Таboo. Whether is it Taboo the God,− boundless and all-absorbing? He has awarded us by Eros, and how many we would not avoid him, − Eros overtakes us.
As is known, the art is born alone. It is created, then turns to a symbol, losing initial sense. And whether is present in general Eros at senseless art? And the value of art is, that it "is invaluable", and therefore and "eternally". When the speech comes about its end. That art "died" any more times and the set of time is reanimated. For the first time it was finished with a withdrawal of the Egyptian civilization. The Egyptian art represented realization of empiricism. Thus in an antiquity it was represented another world. Trusting, that if the copy of the man will have two eyes, the life will pass in a statue.
Probably, the idea in itself is a virus, materialized in creation. Everything, created by human hands, − imperfectly also is realization of temporary.
Much in life is supervised by fear. The category of "fear" is multiplied, taking possession the increasing space around of itself, becoming global. It is the end of an intrigue and beginning of a spontaneous pulse.
The presence today reduces fond of by itself, we are interested with public opinion more. Quite often society goes in cycles this collision. A combination of fears multiplies collision of life. The world is realization of misunderstanding, and the society expects and searches of the communications, which overcome isolation and alienation. The communications, according to the laws, persistently creates the cultural monsters. The conflict of these monsters inspires mutual penetration and absorption "of ethnic cultures".
Creator is transparent and introverted, like as vitrage, there does not come yet moment, when him accuse of lacks and vanity, transforming in "an inorganic essence". There is a desire to come back in a primary condition, to retire with the scale of sensations, which in forces to derivate ecological advantages own EGO, carried out in creativity or engaged by selection "of the current information".
Whenever possible to engage in "opening" of an own image, leading up the spectators before the accelerated palpitation. Perfomators and actionists, proclaiming a cancellation in art of the old laws, declare in such a manner that their approach has not arisen from anything, and is based on reconstruction of the previous experience. Just as at one time Byzantium has done with Hellenic principles and has entered own canons.
Techno-media play not last role, when are engaged "taking" of own essence. Having groped in the own world something irrational and irreal, creator compels critics to investigate, to classify and, at last, to begin conducting "history of creativity". "Self-loving" sometimes assimilates "self- turning-out-inside-out", then does not remain almost anything latent. Creator proclaims: "Fuck your EGO, receive from it moral satisfaction. Creative boredom inspires game both with a community, and with life. The ability to creativity out of own boredom determines potency and, as far as the artist can open the world of the desires, having naked self-loving own EGO, not giving the special meaning to , whether it loves the figure whether or not. It represents itself is discharged, as the object, installed in the ex-terrier, space, landscape, that, in turn, foretells showing. "Bread and shows", − actually it also attracts сommunity, which was never ready to perception of creative acts. Voualated by conservative sights the latent desire of erotic and stimulating shows, derivates "artificial distortions" in outlooking judgements of the spectators. In this case art becomes a call "internal distorsion" of the spectator.Creator always remains by an another's inorganic figure in similar environment, were in "a weightless condition". It is possible to identify creative life, as special environmentof existence of the artist, at absence of stimulus and understanding, with freedom. Doomed on "free life" the person, actually is free only, when sleeps. By everything, that is in space, moved by necessity. And much depends on ability to deviate the given line of necessity.
It is important to note, that the relations between the Man and Woman either competitive, or corporate. In a similar way, deprived by relative freedom, the Woman gives the Man an opportunity to be self-assured. If really to release passion the Woman, the Man risks to appear powerless before her. The Woman, were in the constantly oppressed condition, becomes intolerable, she begins to hate collective, around of her the closed circle is formed. The expectation, in which Woman constantly stays, fills in her consciousness, because of what a competition on "feminist market " constantly grows. Probably, the Woman feels a pain because the community starts up under press everything, that is not entered in the frameworks, determined by it. The Man tries to squeeze out from the Woman "essence" with complexes of inferiority, previously having awarded her by them, making this attempt of clearing, provoking the Woman on rough actions. The Woman do not like everything, she begins to seem, that she is tired both is exhausted and be not capable on adequate mutual relation, which cause an opposition.
In the imaginations she sees herself unsurpassed, imperous, conquering the Men. Jealousy sublimates into aggressive creativity. The ideas caused alone, are executed by Eros. Expressing the essence, the Woman changes, playing the body. Thus there is no feeling of fault or any lacks, there is a pulse to new actions. Greatest hybridization of ideas in a head the Woman is replaced by expectation, smoothly flows in desire.
The law of mutual relation between opposite poles is: "Man-Woman". In this word collocation the large importance is made, at the same time it does not speak in itself about anything. Escaping from own EGO, we find someone with his incomprehensibility, thus, doubling loneliness. A continuous trap capable to make something new. The dreaming Woman imagines the superiority over the Man; it is “vendetta”, the clearing of her EGO. Her qualifying instinct develops into embryo of a new image created by means of judgment of an own hysterics. It is not necessary to be afraid of own "EGO", it is necessary to give it an opportunity to travel in own illusions, which are much more natural, than reanimation of the exterminated things.
Probably, the love (and cinema), is one of best among arts driving force, muse, which sometimes becomes the indicator of the public ordinary.
The art is capable to live some lives, wandering in infinity of space and time.
SMALL EXPLICATION
Yanovsky and Naydenova , producer – Shevtsiv.
Projects: "The Constitution Day" 1998, "Art - dangerous weapon ", 1999, Ivano-Frankivsk. Ukraine.These projects first time in contemporary art Ukraine inspirations and show mutual relation of the artist and spectator, museum and mass-media, curator and authority, culture and education.In a role of models come forward the authors. The project "The Constitution Day" become in nature a landscape. The project " Art-the dangerous weapon " - in urbanistics landscape. A photo - аrt has provoked ambiguous reaction of public, journalists, authorities. Projects have invited in others galleries ("Dzyga", Lviv. Ukraine).
© Yanovsky & Naydenova. Project "Constitution Day". 1998.
- Introduction
- Saga of KaiserWood
- Impreza Now!
- Virtual Stanislav
- Introduction to Galicia
- Made in Galicia
- Liberation of the landscape
- Accomplishment
- A fairy tale
- Infixing the remainder
- Post-charismatic syndrome
- Museum of Radiation
- The cultural hero
- Reposition
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- Yanovsky paintings
- Naidenova paintings
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- KAI$ER-FISH perfomance
- Ukranian articles
- About us